JANE’S ADDICTION
–Encore Presentation–
Brooklyn Bowl Las Vegas at The LINQ
3545 Las Vegas Blvd. South
FRIDAY & SATURDAY, NOVEMBER 21 & 22, 2014 – 9:00 PM
TICKETS ON SALE SATURDAY, OCTOBER 4, 2014 at 10:00 AM PST!!!
Brooklyn Bowl Las Vegas, recently named “Best Live Music Venue” by Las Vegas Weekly and “Best New Venue” by Vegas Seven, is thrilled to announce LIT live at Brooklyn Bowl Las Vegas.
Show: Jane’s Addiction
Support: TBD
Show Date: Friday & Saturday November 21 & 22, 2014
Times: Doors 8:00 PM || Show 9:00 PM
Ages: 21+ with ID welcome
Ticket Prices: General admission tickets $67.50 ADV // $70 DOS plus applicable service charges
Ticket Info: Tickets are available online at www.ticketfly.com, vegas.brooklynbowl.com, or to charge tickets by phone, call 702.862.2695. Tickets available also at the Brooklyn Bowl Las Vegas box office open daily at noon.
ABOUT JANE’S ADDICTION:
Great bands break rules, but legends write their own. Jane’s Addiction have actually written the rule book for alternative music and culture through a combination of genre-defying classic songs and a cinematic live experience. Their songs serve as the Ten Commandments for alt rock, inspiring an entire generation of bands such as Nirvana, Rage Against the Machine, Nine Inch Nails, Smashing Pumpkins, Pearl Jam and Tool.
When the Los Angeles quartet came along, they merged alternative and rock like no one before, becoming the first alternative rock band, creating a new sound and attitude. Perry Farrell stands out as one of music’s most forward-thinking and enigmatic frontmen, and his vocals soar with vibrancy, vulnerability and vitality.
Guitar god Dave Navarro conjures simultaneously psychedelic and epic riffs. Stephen Perkins’ tribal stomp remains hypnotic and transfixing. All of those elements converge seamlessly on the group’s fourth studio album, 2011’s The Great Escape Artist. Produced by Rich Costey (Muse, Franz Ferdinand, Interpol), the critically acclaimed record also added TV on the Radio’s Dave Sitek to the creative team in the lab. Together, they reached another landmark. Spun through a kaleidoscope of tightly wound riffs, hypnotic harmonies, booming beats, and an unmistakable howl, The Great Escape Artist announced the beginning of the next chapter for the alternative rock torchbearers. They’ve continued to set the world ablaze since the album was unleashed in late 2011.
Jane’s Addiction got up close and personal for the critically acclaimed “Theatre of the Escapists” tour in support of the release. Returning to historic theaters across the United States, the band conjured an all-encompassing concert experience hyper-charged with intoxicating energy, airtight musicianship, dangerous theatricality, seductive visuals, and a drop of humor (and red wine) for good measure. Selling out venues everywhere, it has become one of the hottest tickets of 2012. However, the Jane’s Addiction “Escapists” carnival—described by the Dallas Morning News as “a sanctuary for freaks and fetishes” (5/11/12)–wasn’t simply confined to the states.
The group headlined the first Lollapalooza Brazil in history, bringing South America the same potent mix of music, sex, and love. What else would you expect from them? Acclaimed for their swirling sonic symphony and unique studio alchemy, Jane’s Addiction have sold over seven million records in the U.S. alone. They’ve also garnered Grammy nominations and spearheaded the movement of modern American festival culture by launching and headlining the game-changer Lollapalooza.
Even during dormant periods, their timeless songs pulsated through rock radio constantly and their influence resounded through countless acts. Jane’s Addiction laid the foundation for their legacy in Los Angeles. There probably isn’t a more appropriate birthing ground for music this unique. In 1985, Farrell met the band’s original bassist Eric Avery, and they immediately connected over a shared musical perspective—wanting to shake things up. They’d only hone that perspective further with the addition of Perkins. Everything fell into place once Perkins suggested Navarro, and the first incarnation of the band was solidified.
Headlining various local venue and becoming a veritable phenomenon in the L.A. club scene, Jane’s Addiction garnered the attention of numerous major labels. Even though they’d officially sign with Warner Bros. in 1986, the band chose to release their live debut, Jane’s Addiction, via indie label Triple X Records in 1987, keeping a D.I.Y. attitude that’d define their career. Recorded live at The Roxy, the album stirred up national interest, introducing their one-of-a-kind style to the world at large.
In 1988, Jane’s Addiction would officially arrive as a pop culture force with their first proper studio album, Nothing’s Shocking. The band created a sound that the world had never heard before. It was as riff heavy as it was sensitive. Farrell lyrically chronicled the stranger side of L.A. life, telling personal tales that’d stick with fans just as much as Navarro’s licks did. The characters that populate tracks like debut single “Jane Says,” “Ted, Just Admit It…” and “Had a Dad” were just as alive as the music itself. Farrell examined sex, violence, love, drugs and so much more with Marquis de Sade-style wit and Andy Warhol-esque vision.
It’s easy to wonder who those songs are about, and if those people are all out there somewhere on the fringes. The album artwork, a naked sculpture of Farrell’s girlfriend at the time, and the video for “Mountain Song” both were widely banned. However, Nothing’s Shocking was “alternative” in the purest sense of the word. Jane’s Addiction live for their art and nothing else. Trademark song “Jane Says” charged up the Alternative Songs chart and the album was certified platinum, also grabbing a Grammy nod in 1989 for Best Hard Rock/Metal Performance, and audiences everywhere fell under Jane’s spell.
For their second studio album, 1990’s Ritual de lo Habitual, the band went further down the rabbit hole musically. Fully embracing their psychedelic and progressive side, tracks like “Three Days” and “Then She Did…” exceeded the eight-minute mark, becoming elegant aural tapestries with mystique a la Led Zeppelin. The album reached 3x-platinum in the U.S with two #1 singles “Stop!” and “Been Caught Stealing,” the latter of which was nominated for a Grammy Award for Best Rock Performance. It was almost as if the band’s chemistry bubbled too much, and they needed a break at this point.
In 1991, for the Jane’s Addiction “farewell” tour, Farrell concocted Lollapalooza. His visionary idea brought alternative nations together like never before, and the touring festival ran annually until 1997. After the first Lollapalooza, Jane’s Addiction went on hiatus, but they never truly went away. The band embarked on 1997’s highly successful Relapse Tour with Flea from The Red Hot Chili Peppers on bass, supporting their inclusion on the Private Parts soundtrack. A gold-selling compilation, Kettle Whistle, also hit shelves that year.
The world needed Jane’s Addiction in 2003 just as much as it did in 1985, and the band released Strays, their first new album in 13 years. After debuting at #4 on the Billboard chart, the album quickly reached gold status, and first single “Just Because” was their biggest single to date landing at #1. Jane’s Addiction was once again everywhere with “Superhero” becoming the opening theme song for HBO’s hit show “Entourage” at the same time.
The band headlined the re-tooled Lollapalooza festival that summer. After taking a break in 2004, the band reunited in 2008 for a fiery performance at the first-ever USA NME Awards. Instantly, they began channeling the same mystic energy that fueled them on their earliest tours and they wanted to share it with the world. The best way to do that was by hitting the road on one of the most successful tours of 2009, NIN/JA with Nine Inch Nails. Not only did it hearken back to the band’s first tour together, but NIN/JA illuminated Jane’s Addiction firing on all cylinders with their biggest and most visually stunning stage production yet as well as flawless playing.
Given the success of the tour, new music was a must, and The Great Escape Artist is a triumph for Jane’s Addiction. Much like the group’s classic albums, The Great Escape Artist’s legacy continues to grow. USA Today, Rolling Stone, Billboard, Wall Street Journal, Los Angeles Times, Guitar World and countless other press outlets have sung its praises. Still this feels like a new beginning for Jane’s Addiction. They haven’t stopped writing their own rules just yet, and there’s only more new ground to break on the horizon.
ABOUT BROOKLYN BOWL:
Brooklyn Bowl Las Vegas is the brand’s third location. With three levels spanning over 80,000 square feet, Brooklyn Bowl Las Vegas is one of the largest performance venues in America and is described by People Magazine as being “on the fast path to being Vegas’ über cool place.” Located at The LINQ, the open-air district in the center of the Las Vegas Strip, the multi-dimensional space boasts 32 lanes of bowling, five on-site bars and rockin’ comfort food by the world-renowned Bromberg Brothers’ Blue Ribbon Restaurants, including their iconic Fried Chicken celebrated on Food Network’s “The Best Thing I Ever Ate.” On any given night, more than 2,000 concertgoers can enjoy live music programming from the general admission area, the luxurious bowlers’ lounges adjacent to the lanes, or the private lounge boxes overlooking it all. Since opening in March 2014, Brooklyn Bowl Las Vegas has seen notable performances by Elvis Costello & The Roots, Jane’s Addiction, Phil Lesh & Friends, Primus, O.A.R. and 21 Pilots.
The original location opened in the Williamsburg neighborhood of Brooklyn in 2009 in the former Hecla Iron Works building (built in 1882) and was the first L.E.E.D. certified bowling alley in the world. Brooklyn Bowl New York has hosted countless notable performances, including shows by Kanye West, Adele, Paul Simon, Moby and Guns N’Roses and has been named Zagat’s “Best Music Venue – New York City” for three consecutive years (as well as “Best Bowling Alley” and “Best Brooklyn Venue”) and one of the best clubs in America by Rolling Stone. Eater described their menu as “epic,” while The New Yorker hailed the club’s unprecedented combination of top-flight music, beer, bowling, and food as “like nailing a spare on a four-ten split.” The second Brooklyn Bowl location opened in January 2014 at The O2 in London, and was hailed by The London Evening Standard as a “…wonderland of food, drink, music and pins”.
For additional information about Brooklyn Bowl, including the most up-to-date show lineup, visit www.brooklynbowl.com. If you would like to be added to our email list for first information about upcoming shows email [email protected].
Brooklyn Bowl Las Vegas is located at The LINQ, next to the High Roller Observation Wheel on the world-famous Las Vegas Strip.
